Sydney Hillel Schanberg (born January 17, 1934 in Clinton, Massachusetts) is an American journalist who is best known for his coverage of the war in Cambodia.
Schanberg joined The New York Times as a journalist in 1959. He spent much of the early 1970s as a Vietnam War correspondent for the Times. For his reporting, he won the George Polk Award for excellence in journalism twice, in 1971 and 1974.
Following years of U.S. carpet bombing campaigns over Cambodia and Laos, Schanberg wrote positively in The New York Times about the departure of the Americans and the coming regime change, writing about the Cambodians that "it is difficult to imagine how their lives could be anything but better with the Americans gone." The Khmer Rouge took over Cambodia in 1975 and killed approximately two million people. A dispatch he wrote on April 13, 1975, written from Phnom Penh, ran with the headline "Indochina without Americans: for most, a better life."[1] However, in the same piece, Schanberg also wrote, "This is not to say that the Communist-backed governments which will replace the American clients can be expected to be benevolent. Already, in Cambodia, there is evidence in the areas led by the Communist-led Cambodian insurgents that life is hard and inflexible, everything that Cambodians are not." However, in the same article, Schanberg then went on to reject claims that the communist takeover of Cambodia could lead to state-sponsored genocide: "Wars nourish brutality and sadism, and sometimes certain people are executed by the victors but it would be tendentious to forecast such abnormal behavior as a national policy under a Communist government once the war is over."
He won the 1976 Pulitzer Prize for International Reporting for his Cambodia coverage.
His 1980 book The Death and Life of Dith Pran was about the struggle for survival of his assistant Dith Pran in the Khmer Rouge regime. The book inspired the 1984 film The Killing Fields, in which Schanberg was played by Sam Waterston.
Between 1986 and 1995, he was an associate editor and columnist for New York Newsday. Schanberg covered the United States Senate Select Committee on POW/MIA Affairs hearings and became engrossed in the Vietnam War POW/MIA issue; writing for Penthouse and later The Village Voice and The Nation, Schanberg became a leading advocate of the "live prisoners" belief in that matter.
In 1992, Schanberg received the Elijah Parish Lovejoy Award as well as an honorary Doctor of Laws degree from Colby College.
In 2006, Schanberg resigned as the Press Clips columnist for The Village Voice in protest over the editorial, political and personnel changes made by the new publisher, New Times Media.
Sydney Schanberg - From Wikipedia, the free encyclopedia
Label: Journalism
Dith Pran - From Wikipedia, the free encyclopedia
Dith Pran (September 27, 1942 – March 30, 2008) was a Cambodian photojournalist best known as a refugee and Cambodian Genocide survivor and was the subject of the Academy Award-winning film The Killing Fields (1984). He was portrayed in the movie by first-time actor Haing S. Ngor (1940-1996), who won an Academy Award for Best Supporting Actor for his performance.
[edit] Biography
Born in Siem Reap (Cambodia), near the Angkor Wat, his father worked as a public-works official.[1] He learned French at school and taught himself English, so the U.S. Army hired him as a translator.[1] After ties with the United States were severed, Dith began working with a British film crew, and then as a hotel receptionist.[1]In 1975, Pran and New York Times reporter Sydney Schanberg stayed behind in Cambodia to cover the fall of the capital Phnom Penh to the communist Khmer Rouge forces.[1] Schanberg and other foreign reporters were allowed to leave, but Dith was not permitted to leave the country.[1] Due to the suppression of knowledge during the Genocide, Dith hid the fact that he was educated or that he knew Americans and pretended to be a taxi driver.[1] When Cambodians were forced to work in labor camps, Dith had to endure four years of starvation and torture before Vietnam overthrew the Khmer Rouge in December 1978.[1] He coined the phrase "killing fields" to refer to the clusters of corpses and skeletal remains of victims he encountered during his 40-mile escape. His three brothers and sister were killed in Cambodia.
Dith travelled back to Siem Reap, where it was learned that 50 members of his family had died.[1] The Vietnamese had made him village chief, but Dith escaped to Thailand on October 3, 1979 after fearing that they knew of his American ties.[1]
From 1980, Dith worked as a photojournalist with The New York Times in the United States. In 1986, he became an American citizen with his then wife, Ser Moeun Dith; they were later divorced. Dith then married Kim DePaul, but they also divorced.[1] He also campaigned for recognition of the Cambodian Genocide victims, especially as founder and president of The Dith Pran Holocaust Awareness Project. He was a recipient of an Ellis Island Medal of Honor in 1998 and of The International Center in New York's Award of Excellence.
Dith died on March 30, 2008 in New Brunswick, New Jersey, having been diagnosed with stage 4 pancreatic cancer just three months earlier. He was living in Woodbridge, New Jersey.[1][2] Survivors include his companion, Bette Parslow; his daughter, Hemkarey; his sons, Titony, Titonath and Titonel; a sister, Samproeuth; six grandchildren; and two stepgrandchildren
Label: Journalism
Acta Diurna - From Wikipedia, the free encyclopedia
Acta Diurna (lat: Daily Acts sometimes translated as Daily Public Records) were daily Roman official notices, a sort of daily gazette. They were carved on stone or metal and presented in message boards in public places like the Forum of Rome. They were also called simply Acta or Diurna or sometimes Acta Popidi or Acta Publica.
The first form of Acta appeared around 131 BCE during the Roman Republic. Their original content included results of legal proceedings and outcomes of trials. Later the content was expanded to public notices and announcements and other noteworthy information such as prominent births, marriages and deaths. After a couple of days the notices were taken down and archived (though no intact copy has survived to the present day).
Sometimes scribes made copies of the Acta and sent them to provincial governors for information. Later emperors used them to announce royal or senatorial decrees and events of the court.
Other forms of Acta were legal, municipal and military notices. Acta Senatus were originally kept secret, until then-consul Julius Caesar made them public in 59 BC. Later rulers, however, often censored them.
Publication of the Acta Diurna stopped when the seat of the emperor was moved to Constantinople.
The Acta Diurna to some extent filled the place of the modern newspaper-type publication and of the government gazette. Today, there are many academic periodicals with the word acta in their titles (the publisher Elsevier has 64 such titles).
Acta Diurna introduced the expression “publicare et propagare”, which means "make public and propagate." This expression was set in the end of the texts and proclaimed a release to both Roman citizens and non-citizens.
Label: Journalism
Mass media - From Wikipedia, the free encyclopedia
History
Purposes
- Advocacy, both for business and social concerns. This can include advertising, marketing, propaganda, public relations, and political communication.
- Entertainment, traditionally through performances of acting, music, and sports, along with light reading; since the late 20th century also through video and computer games.
- Public service announcements.
Negative characteristics of mass media
- An inability to transmit tacit knowledge (or perhaps it can only transfer bad tacit).
- The manipulation of large groups of people through media outlets, for the benefit of a particular political party and/or group of people.
- Marshall McLuhan, one of the biggest critics in media's history, brought up the idea that "the medium is the message."
- Bias, political or otherwise, towards favoring a certain individual, outcome or resolution of an event.
- "The corporate media is not a watchdog protecting us from the powerful, it is a lapdog begging for scraps."[1]
Journalism
Public relations
- Corporations use marketing public relations (MPR) to convey information about the products they manufacture or services they provide to potential customers to support their direct sales efforts. Typically, they support sales in the short and long term, establishing and burnishing the corporation's branding for a strong, ongoing market.
- Corporations also use public-relations as a vehicle to reach legislators and other politicians, seeking favorable tax, regulatory, and other treatment, and they may use public relations to portray themselves as enlightened employers, in support of human-resources recruiting programs.
- Non-profit organizations, including schools and universities, hospitals, and human and social service agencies, use public relations in support of awareness programs, fund-raising programs, staff recruiting, and to increase patronage of their services.
- Politicians use public relations to attract votes and raise money, and, when successful at the ballot box, to promote and defend their service in office, with an eye to the next election or, at career’s end, to their legacy.
Forms
- Broadcasting, in the narrow sense, for radio and television.
- Various types of discs or tapes. In the 20th century, these were mainly used for music. Video and computer uses followed.
- Film, most often used for entertainment, but also for documentaries.
- Internet, which has many uses and presents both opportunities and challenges. Blogs and podcasts (such as news, music, pre-recorded speech, and video)
- Mobile phones, often called the 7th Mass Media, used for rapid breaking news, short clips of entertainment like jokes, horoscopes, alerts, games, music, and advertising
- Publishing, including electronic publishing
- Video games, which have developed into a mass form of media since cutting-edge devices such as the PlayStation 3, XBox 360, and Wii broadened their use.
Audio recording and reproduction
Film
Internet
Blogs (Web Logs)
RSS feeds
Podcast
Mobile
Publishing
Book
Magazine
- General interest magazines (e.g. Frontline, India Today, The Week,The Sunday Indian etc)
- Special interest magazines (women's, sports, business, scuba diving, etc)
Newspaper
Software publishing
Mass wire media
Video games
Personal media
Label: Journalism
Retreat Wall Newspaper
We'd published a kording themed 9th grade retreat on Friday 23 - Friday 29 October 2009 that took place in various locations.
- Publication Date: November 2009
- Print size: A2
- Format: JPEG
- Dimension: 1440 x 2079
- File Size: 718 kB
- Resolution: 96 dpi
- Layout: Microsoft Powerpoint
Label: Journalism
Yellow journalism - From Wikipedia, the free encyclopedia
Yellow journalism is a type of journalism that downplays legitimate news in favor of eye-catching headlines that sell more newspapers. It may feature exaggerations of news events, scandal-mongering, sensationalism, or unprofessional practices by news media organizations or journalists. Campbell (2001) defines Yellow Press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers about 1900 as they battled for circulation. By extension the term is used today as a pejorative to decry any journalism that treats news in an unprofessional or unethical fashion, such as systematic political bias. Yellow journalism can also be the practice of over-dramatizing events.
Frank Luther Mott (1941) defines yellow journalism in terms of five characteristics:[1]
- scare headlines in huge print, often of minor news
- lavish use of pictures, or imaginary drawings
- use of faked interviews, misleading headlines, pseudo-science, and a parade of false learning from so-called experts
- emphasis on full-color Sunday supplements, usually with comic strips (which is now normal in the U.S.)
- dramatic sympathy with the "underdog" against the system.
Origins: Pulitzer vs. Hearst
The term originated during the American Gilded Age of the late nineteenth century with the circulation battles between Joseph Pulitzer's New York World and William Randolph Hearst's New York Journal. The battle peaked from 1895 to about 1898, and historical usage often refers specifically to this period. Both papers were accused by critics of sensationalizing the news in order to drive up circulation, although the newspapers did serious reporting as well. The New York Press coined the term "yellow kid journalism" in early 1897 after a then-popular comic strip to describe the down market papers of Pulitzer and Hearst, which both published versions of it during a circulation war.[2] This was soon shortened to yellow journalism with the New York Press insisting, "We called them Yellow because they are Yellow."[3]Joseph Pulitzer purchased the New York World in 1883 after making the St. Louis Post-Dispatch the dominant daily in that city. The publisher had gotten his start editing a German-language publication in St. Louis, and saw a great untapped market in the nation's immigrant classes. Pulitzer strove to make the New York World an entertaining read, and filled his paper with pictures, games and contests that drew in readers, particularly those for whom English was a second language. Crime stories filled many of the pages, with headlines like "Was He a Suicide?" and "Screaming for Mercy."[4] In addition, Pulitzer only charged readers two cents per issue but gave readers eight and sometimes 12 pages of information (the only other two cent paper in the city never exceeded four pages).[5]
While there were many sensational stories in the New York World, they were by no means the only pieces, or even the dominant ones. Pulitzer believed that newspapers were public institutions with a duty to improve society, and he put the World in the service of social reform. During a heat wave in 1883, World reporters went into the Manhattan's tenements, writing stories about the appalling living conditions of immigrants and the toll the heat took on the children. Stories headlined "How Babies Are Baked", "Burning Babies Fall From The Roof" and "Lines of Little Hearses" spurred reform and drove up the World's circulation.[6]
Just two years after Pulitzer took it over, the World became the highest circulation newspaper in New York, aided in part by its strong ties to the Democratic Party.[7] Older publishers, envious of Pulitzer's success, began criticizing the World, harping on its crime stories and stunts while ignoring its more serious reporting — trends which influenced the popular perception of yellow journalism. Charles Dana, editor of the New York Sun, attacked The World and said Pulitzer was "deficient in judgment and in staying power."[8]
Pulitzer's approach made an impression on William Randolph Hearst, a mining heir who acquired the San Francisco Examiner from his father in 1887. Hearst read the World while studying at Harvard University and resolved to make the Examiner as bright as Pulitzer's paper.[9] Under his leadership, the Examiner devoted 24 percent of its space to crime, presenting the stories as morality plays, and sprinkled adultery and "nudity" (by 19th century standards) on the front page.[10] A month after taking over the paper, the Examiner ran this headline about a hotel fire:
HUNGRY, FRANTIC FLAMES. They Leap Madly Upon the Splendid Pleasure Palace by the Bay of Monterey, Encircling Del Monte in Their Ravenous Embrace From Pinnacle to Foundation. Leaping Higher, Higher, Higher, With Desperate Desire. Running Madly Riotous Through Cornice, Archway and Facade. Rushing in Upon the Trembling Guests with Savage Fury. Appalled and Panic-Striken the Breathless Fugitives Gaze Upon the Scene of Terror. The Magnificent Hotel and Its Rich Adornments Now a Smoldering heap of Ashes. The Examiner Sends a Special Train to Monterey to Gather Full Details of the Terrible Disaster. Arrival of the Unfortunate Victims on the Morning's Train — A History of Hotel del Monte — The Plans for Rebuilding the Celebrated Hostelry — Particulars and Supposed Origin of the Fire.[11]Hearst could be hyperbolic in his crime coverage; one of his early pieces, regarding a "band of murderers," attacked the police for forcing Examiner reporters to do their work for them. But while indulging in these stunts, the Examiner also increased its space for international news, and sent reporters out to uncover municipal corruption and inefficiency. In one well remembered story, Examiner reporter Winifred Black was admitted into a San Francisco hospital and discovered that indigent women were treated with "gross cruelty." The entire hospital staff was fired the morning the piece appeared.[12]
[edit] New York
With the Examiner's success established by the early 1890s, Hearst began looking for a New York newspaper to purchase, and acquired the New York Journal in 1895, a penny paper which Pulitzer's brother Albert had sold to a Cincinnati publisher the year before.Metropolitan newspapers started going after department store advertising in the 1890s, and discovered the larger the circulation base, the better. This drove Hearst; following Pulitzer's earlier strategy, he kept the Journal's price at one cent (compared to The World's two cent price) while providing as much information as rival newspapers.[5] The approach worked, and as the Journal's circulation jumped to 150,000, Pulitzer cut his price to a penny, hoping to drive his young competitor (who was subsidized by his family's fortune) into bankruptcy. In a counterattack, Hearst raided the staff of the World in 1896. While most sources say that Hearst simply offered more money, Pulitzer — who had grown increasingly abusive to his employees — had become an extremely difficult man to work for, and many World employees were willing to jump for the sake of getting away from him.[13]
Although the competition between the World and the Journal was fierce, the papers were temperamentally alike. Both were Democratic, both were sympathetic to labor and immigrants (a sharp contrast to publishers like the New York Tribune's Whitelaw Reid, who blamed their poverty on moral defects[8]), and both invested enormous resources in their Sunday publications, which functioned like weekly magazines, going beyond the normal scope of daily journalism.[14]
Their Sunday entertainment features included the first color comic strip pages, and some theorize that the term yellow journalism originated there, while as noted above, the New York Press left the term it invented undefined. Hogan's Alley, a comic strip revolving around a bald child in a yellow nightshirt (nicknamed The Yellow Kid), became exceptionally popular when cartoonist Richard F. Outcault began drawing it in the World in early 1896. When Hearst predictably hired Outcault away, Pulitzer asked artist George Luks to continue the strip with his characters, giving the city two Yellow Kids.[15] The use of "yellow journalism" as a synonym for over-the-top sensationalism in the U.S. apparently started with more serious newspapers commenting on the excesses of "the Yellow Kid papers."
[edit] Spanish-American War
But Hearst became a war hawk after a rebellion broke out in Cuba in 1895. Stories of Cuban virtue and Spanish brutality soon dominated his front page. While the accounts were of dubious accuracy, the newspaper readers of the 19th century did not expect, or necessarily want, his stories to be pure nonfiction. Historian Michael Robertson has said that "Newspaper reporters and readers of the 1890s were much less concerned with distinguishing among fact-based reporting, opinion and literature."[17]
Pulitzer, though lacking Hearst's resources, kept the story on his front page. The yellow press covered the revolution extensively and often inaccurately, but conditions on Cuba were horrific enough. The island was in a terrible economic depression, and Spanish general Valeriano Weyler, sent to crush the rebellion, herded Cuban peasants into concentration camps leading hundreds of Cubans to their deaths. Having clamored for a fight for two years, Hearst took credit for the conflict when it came: A week after the United States declared war on Spain, he ran "How do you like the Journal's war?" on his front page.[18] In fact, President William McKinley never read the Journal, and newspapers like the Tribune and the New York Evening Post. Moreover, journalism historians have noted that yellow journalism was largely confined to New York City, and that newspapers in the rest of the country did not follow their lead. The Journal and the World were not among the top ten sources of news in regional papers, and the stories simply did not make a splash outside New York City.[19] War came because public opinion was sickened by the bloodshed, and because leaders like McKinley realized that Spain had lost control of Cuba.[citation needed] These factors weighed more on the president's mind than the melodramas in the New York Journal.[20]
Hearst sailed directly to Cuba, when the invasion began, as a war correspondent, providing sober and accurate accounts of the fighting.[21] Creelman later praised the work of the reporters for exposing the horrors of Spanish misrule, arguing, " no true history of the war . . . can be written without an acknowledgment that whatever of justice and freedom and progress was accomplished by the Spanish-American war was due to the enterprise and tenacity of yellow journalists, many of whom lie in unremembered graves."[19]
[edit] After the war
Hearst was a leading Democrat who promoted William Jennings Bryan for president in 1896 and 1900. He later ran for mayor and governor and even sought the presidential nomination, but lost much of his personal prestige when outrage exploded in 1901 after columnist Ambrose Bierce and editor Arthur Brisbane published separate columns months apart that suggested the assassination of McKinley. When McKinley was shot on September 6, 1901, critics accused Hearst's Yellow Journalism of driving Leon Czolgosz to the deed. Hearst did not know of Bierce's column and claimed to have pulled Brisbane's after it ran in a first edition, but the incident would haunt him for the rest of his life and all but destroyed his presidential ambitions.[22]Pulitzer, haunted by his "yellow sins,"[23] returned the World to its crusading roots as the new century dawned. By the time of his death in 1911, the World was a widely-respected publication, and would remain a leading progressive paper until its demise in 1931. Other newspapers, especially the new tabloids in the big cities, adopted the flashy techniques of Yellow Journalism, most notably the New York Daily News, founded in 1919.
Label: Journalism
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